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Movies

Most Different Movies of Indian Cinema

Pesum Padam
They took this film with different concept is a story of a young jobless graduate who don’t have money to complete meal in a day. He kidnaps the millionaire and takes his place and living a luxurious life at a star hotel named “Pushpak”. He meets a young girl who staying in his same hotel and both fall in love. On the other hand, a hired killer who wants to kill the millionaire tries to kill Kamal mistaking as the millionaire.

PK

A stranger in the city asks questions but no onecan answer and askd before.He is the childlike curiosity man also falling in love. A mysterious PK is in search of God. A complete stranger PK is weird but curiously loving. PK in his search for God meets Bhairav Singh and Jaggu aka jagat Janani,Bhairav helps him to understand the language, Jaggu helps him to understand love.PK challenges the stereotype belief of faith and while finding his answers finds love and much more.

Slumdog millionaire

Slumdog Millionaire is the story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India’s “Who Wants to Be a Millionaire?”But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show’s questions. Intrigued by Jamal’s story, the jaded Police Inspector begins to wonder what a young man with no apparent desire for riches is really doing on this game show. When the new day dawns and Jamal returns to answer the final question, the Inspector and sixty million viewers are about to find out.

Border

Infact, the story is inspired by the Longewala battle of 1971. In the opening reels, the director tries to introduce the various characters and their family lives. Left to himself, probably Mr Dutta would have focussed entirely on the men in the war trenches but he has to cater to the commercial market. So, the second half gets down gritty to the business of re-enacting the battle between the outnumbered regiment against Pakistan’s sophisticated weaponry and a huge taskforce. The war scenes are effectively pictured that it conveys the almost-suicidal heroism of our sentinels.
One of the songs from this album ‘Sandeshey aate hai’ is very melodious.

Kaaka Muttai

Kaaka Muttai, is a delightful entertainer that won two National Awards. The film revolves around the lives, hopes and dreams of two youngsters named Vignesh and Ramesh living in the slums of Chennai.
A swanky pizza joint opens near their slum. Actor Simbhu is invited for the inauguration, and the children become obsessed with the tempting pizza that is served to him.
At first, they decide to earn the Rs.300 needed for the pizza but it seems like a distant dream. So they resort to stealing and other ingenious tricks like ferrying drunkards from the bar to their homes. Soon they have enough money for the pizza; unfortunately, their clothes are not good enough for the fancy restaurant. Callously driven away by the watchman, the kids are determined to earn some more to buy decent clothes. Sadly, not even branded jeans and T-shirts can hide their wretched background. This time they are physically abused before being thrown out. Deeply humiliated, the children give up on their dreams. The second half veers slightly towards the commercial. He has generously peppered the narrative with fun moments without undermining the underlying concern.

Tare zameen par

Ishaan an eight year old boy is thought to be lazy and a troublemaker, until the new art teacher has the patience and compassion to discover the real problem behind his struggles in school. And Ishaan just cannot seem to get anything right in class. When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to ‘be disciplined’. Things are no different at his new school, and Ishaan has to contend with the added trauma of separation from his family. One day a new art teacher bursts onto the scene, Ram Shankar Nikumbh, who infects the students with joy and optimism. He breaks all the rules of ‘how things are done’ by asking them to think, dream and imagine, and all the children respond with enthusiasm, all except Ishaan. Nikumbh soon realizes that Ishaan is very unhappy, and he sets out to discover why. With time, patience and care, he ultimately helps Ishaan find himself.

Drishyam

Vijay Salgaonkar runs a cable TV network in a remote and hilly village of Goa. He lives a happy life with his wife Nandini and two daughters. A 4th grade dropout & an orphan, Vijay has worked his way towards success with his sheer hard-work & street smartness in order to provide for his family who mean the world to him. A man of few means & needs; Vijay believes life is to be lived simplistically – his wife, while she loves him devoutly, wants Vijay’s thrifty & miserly behavior to end and wants the world for her family. If there’s one thing that Vijay cannot live without, it is his passion for watching films. Such is his ‘filmy’ obsession that he doesn’t mind staying up all night at his office binging on TV movies! In a bizarre turn of events; a teenage boy goes missing; he is the son of a headstrong & no-nonsense cop; IG Meera Deshmukh and the Salgaonkar family is the prime suspect

Philips and the Monkey pen

Ryan Philips is a smart cute school boy who has one biggest problem Maths. As he struggles to escape from doing his maths homework, he resorts to mischievous acts, little realizing the trouble he is making. As we see his relationship with his dad Roy Philip (Jayasurya) and mother Sameera (Remya Nambeeshan) and conflicts of interest we get introduced to Ryan’s grandfather Richard Philip (Joy Mather) who is an antique collector. On visiting his grandfather Ryan gets a magical pen called monkey pen. This monkey pen does his maths homework and soon changes his whole life.

Mozhi

This film is full of thoughts about the deaf girl on life. A musician’s love towards a stubborn deaf woman makes her eventually realize that there is more to her life than she previously thought. The jothika acting excellent in this film. This film also received award.

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Gallery Music Music

Top 10 Best Tamil Music Directors

Without Sound, there will not be a complete movie. Music Directors made the movies more lively and engaging. Here is the complete list of the best Tamil Music Directors.

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Movies

History of Tamil Cinema

History of Tamil Cinema from 1916 the first silent film in South India was done by Nataraja Rangaswamy Mudaliar made Keechaka Vadham. Lead actors of Keechaka Vadham were Jeevarathnam, R. Nataraja Mudaliar and Raja Mudaliar. Other films by Nataraja Mudaliar are Draupadi Vastrapaharanam in 1917, Mayil Ravana in 1918, Lavakusa in 1919, Kalinga Mardanam in 1920, Rukmini Kalyanam in 1921 and Markandeya in 1923. Other names to be mentioned from the distant past of Tamil cinema are R.Prakash, R.Venkaiah, A.Narayanan and K.Subramanyam.

30’S MOVIES
The first talkie in Tamil was H.M.Reddy’s Kalidas in 1931. It had a cast consisting of P.G.Venkatesan, T.P. Rajalakshmi, and M.S.Sabthanalakshmi. Folklores,
Mythologicals, pseudo historicals and photographed stage plays were the themes of Tamil cinema in the thirties films had more songs nearly 30. Musicians like Dandapani Designer, G.N.Balasubramanian, Musiri, M.S.Subhalakshmi and others were cast in the Tamil movie. A.Narayanan’s 1934 film Srinivasa Kalyanam was the first Tamil talkie .In 1935, South India Film Corporation made Kausalya with contemporary theme. The first female director and producer of Tamil cinema was T.P Rajalakshmi .Chinthamani in 1937 was the first Tamil film to run for more than a year in a single cinema house.
Other notable Tamil films of the thirties were Meerabai and Thenali Raman, etc.
Stardom in Tamil films had its birth in the thirties itself. The first female superstar of Tamil cinema was K.B.Sundarambal, that year itself she got 1lakh rupees for her film.

40’S MOVIES
The directors of fourties were S.S.Vasan, L.V.Prasad, A.V.Meiyappan and T.R.Sundaram.S.S.Vasan’s Chandralekha film was produced on a high budget and is among the most expensive tamil films of all time. T.R Rajakumari, Ranjan, M.K.Radha, and N.S.Krishnan were the leading artists of Chandralekha.
A.V.Meiyappan’s 1947 film Nam Iruvar was important movie of the decade. Nam Iruvar was the first production venture of AVM Productions was established in 1945. It is the largest and oldest production studio currently active in Tamil industry.
Popular stars of this time were M.K.Thyagaraja Bhagavathar, M.K.Radha P.U.Chinnappa, Ranjan, K.R.Ramaswamy, T.R.Mahalingam, T.R.Rajakumari and Rukmini. M.K Thyagaraja Bhagavathar(MKT) was the most popular among them and is widely regarded as the first superstar of Tamil cinema.
The late fourties witnessed the excellent exploitation of Tamil cinema for achieving with political aims. C.N.Annadurai, who later went on to become the chief minister of Tamilnadu was the leader of this phenomenon in the history of world cinema. Annadurai wrote the script for Velaikkari(1949), by director A.S.A.Swamy. Velaikkari was a successful movie and it sets a new trend in Tamil cinema.
M.Karunanidhi, Annadurai’s trusted assistants and wrote screen plays for several films. Karunanidhi also rose to the level of Chief Minister of Tamilnadu.

50’s and 60’s

They were M.G.Ramachandran(M.G.R), Sivaji Ganesan and Gemini Ganesan.
M.G.Ramachandran made his debut in Ellis R Dungan’s 1935 film Sati Leelavati. He played the hero in a number of blockbusters M.G.R is considered the numero uno in the history of Tamil cinema and was fondly called Puratchi Thalaivar. He became the Chief Minister of Tamilnadu in 1977.
Sivaji Ganesan was one of the first and finest method. He was fondly called as Nadigar Thilakam. Sivaji Ganesan entered film world through the 1952 film Parasakthi movies like Veerapandiya Kattabomman, Paasamalar, Vasantha Maligai,etc.
Gemini Ganesan, nicknamed Kadhal Mannan. Then he played Lord Krishna in Chakravarthi Master, films like Parthiban Kanavu, Kalathur Kannamma, etc.
Other popular actors are Sivakumar, Muthumaran, Jaishankar, Balaji, Vijayakumar, Nagesh, M.N.Nambiar, P.S.Veerappa, Asokan, R.S.Manohar and Major Sundera Rajan, Anjali Devi, Savithri, P.Bhanumathi, Padmini, Pushpalatha, Sowkar Janaki,etc.
By the late sixties Tamil cinema witnessed the screenwriter, and director K.Balachander. He did the movies with bold themes. His films with unusual and complicated relationships and social themes. His movies like Ethir Neechal, Arangetram, Aval Oru Thodar Kathai, Naan Avan Illai, Apoorva Raagangal, He introduced and gave breaks to many artists including Rajinikanth, Kamal Haasan, Vivek and Prakash Raj.

70’s and 80’s

By the late seventies three more directors were K.Bharathiraja, Balu Mahendra and K.Bhagyaraj.
Bharathiraja’s films like 16 Vayathinile in 1977. Bharathiraja himself wrote the script for 16 Vayathinile which had Kamal Haasan, Rajnikanth and Sridevi in lead roles. He concentrated mainly in village side themes.
Balu Mahendra’s films were remarkable and his was Azhiyadha Kolangal. His other movies include Moodupani, Veedu, Sandhya Raagam, Moondram Pirai, and Sathi Leelavathi.
K.Bhagyaraj’s films were laced with earthy humour and the characters were honest and straight forward. He made his entry into direction with the 1979 movie Suvar Ellatha Chitrangal. His notable movies include Vidiyum Vari Kaathiru, Mouna Geethanagal, etc.
The mid-late seventies and early eighties actors Kamal Haasan and Rajinikanth to Tamil cinema.
Kamal Haasan performed as a child. He got his first break in Tamil cinema with K.Balachander’s 1975 movie Apoorva Raagangal, which was also Rajinikanth’s debut movie. He worked with K.Balachander in a number of movies including Moondru Mudichu, Avargal, Manmadha Leelai,etc. Over the years Kamal Haasan has done a variety of roles in films like Raaja Paarvai, Vazhve Mayam, and many films.

More actors entered are Vijayakanth, Sathyaraj, Karthik, Sarat Kumar, Arjun and Murali, Prabhu Ganesan, Mohan. Popular heroines were Khushboo, Radha, Gouthami, Ambika, Saranya and Rupini.
Introduction of directors like Mani Ratnam, S.A.Chandrasekhar, Manivannan, T.Rajender, Vikraman, R.K.Selvamani, Santhana Bharathi, K.S.Ravikumar and S.Shankar. Mani Ratnam and S.Shankar stand out among the others. Mani Ratnam had scripted and directed critically and commercially successful films like Mouna Raagam, Nayagan, Agni Natchathiram, Anjali,etc. S.Shankar is known for his excellent treatment of commercial cinema and has won accolades for his films like Gentleman, Kadhalan, Indian, Jeans, Mudhalvan, Boys, Anniyan and Sivaji:The Boss.

90’S and 2000

In the nineties actors like Aravind Swamy, Vijay, Ajith, Prasanth and Prabhu Deva entered Tamil filmdom. Heroines like Nagma, Rambha, Soundarya, Madhoo, Meena, Devayani, Roja and Simran gained popularity during this period. Directors like Sundar C, Rajeev Menon, S.J.Sooryah, S.Ezhil, Selva and Cheran entered Tamil film industry during the nineties.
Tamil cinema has produced some of the most talented music directors are Ilayaraja and A.R.Rahman, Harris Jayaraj, Deva, Yuvan Shankar Raja, Devi Sri Prasad, Vidyasagar and Srikanth Deva.
Behind them Vijay, Ajith, Vikram, Surya and Madhvan also rake in the moolah. Younger stars like Jayam Ravi, Dhanush, Silambarasan, Vishal, Arya, Jeeva, Bharath, Jai and Karthi Sivakumar have done good business at the box office in the recent past. Comedians Vadivelu and Vivek are other prominent actors. Heroines of kollywood are Asin Thottumkal, Nayantara, Trisha Krishnan, Shriya Saran, Tamanna Bhatia, Sandhya, Reema Sen, Sadha, Sneha, Bhumika Chawla and Namitha. The directors at present are Mani Ratnam, S.Shankar, Gautham Menon, Bala, Linguswamy, Vishnuvardhan, Cheran, Hari, Saran, P.Vasu, K.S.Ravikumar M. Raja, Susi Ganesan, Myshkin, Perarasu, Prabhu Deva, Balaji Sakthivel, A. R. Murugadoss, Selva, Ameer and Boopathy Pandian.

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Actors

Top 10 Best South Indian Actors of All Time 2024

South Indian cinema has the most talented actors including Rajinikanth, Kamal Hassan, Mohanlal, and more. Here is the best-performing and favorite South Indian Actor of all time.

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Movies

Top 10 Best Rajinikanth Movies

Rajinikanth is a superstar of Indian Cinema. He is one of the most stylish heroes of all time. Here are the best Rajinikanth movies of all time.

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TV Serials

Top 10+ Best Tamil Serials Of All Time

The 1990s were the best time in Tamil TV Industry. There are a lot of the best old Tamil serials that started that period and still, all the old Tamil serial plays an evergreen in the Tamil serial industry. More new production companies step into the TV segment from the movie industry as they can get more business and reach from TV serials. Here we list out all the best old Tamil serials of all time. Hope you can enjoy it.

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Music

Best music of Ilayaraja

Machana Pathingala
Film: Annakili
On 1975, it marked as an arrival from South Indian film. This song is sensitive with love feel of heroine who searching for the hero in the movie. Ilayaraja combined with folk rhythms and Janaki with the sweet voice.

Metti Oli Kaatrodu
Film: Metti

In ‘80s were placed in top melodies list. Ilayaraja sang this song with Janaki provided the humming. The entire song with sensuous lyrics which gives more votes to the song.

Kannil Enna Kaarkaalam
Film: Un Kannil Neer Vazhindhal

The evergreen song by SP Balasubramaniam and Janaki, lyrics by Vairamuthu and, of course, the maestro’s music. The song featured a young Rajinikanth and the very lovely Madhavi.

Nee Oru Kadhal Sangeetham
Film: Nayagan

Ilayaraja projected with his flair with classical ragas. Becomes one of the best love tunes.

Sundari
Film: Thalapathy

Combination of Mani Ratnam and illayaraja music this song includes soft melody, rousing scores and superb lyrics.
Kalyana Then Nila
Film: Mounam Sammadham
With its classical overtones and beautifully constructed wordplay, it creates a mellow mood. It’s the romantic play by illayaraja.

Nee Paartha Parvaikkoru Nandri
Film: Hey Ram

Rock melody from the maestro. The song, from Kamal Haasan’s period film, was sung by Asha Bhonsle and Hariharan.
Uravugal Thodarkathai
Film: Aval Appadithan
It’s the song with magic by Ilayaraja with the lyrics and the maestro’s music.

Ilaya Nila Pozhigirathe
Film: Payanangal Mudivathillai

The guitar pieces plays well in this song in 80’s are the highlight.

Kanmani annbodu
Film: Guna

Super hit melody song still sang by kamal Hassan and janaki and the master illayaraja music.

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